

Dance, a Tool for Innovation
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For more info about this event, please contact the event organizer, Tribalement Vôtre, at info@tribalementvotre.ca.
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Dance as a Tool for Innovation
Dance as a Creative Approach: Discover how the brain and dance work together.
This workshop offers exercises to maximize brain capacity (memory, learning, visualization, adaptation, etc.). It provides techniques for breathing, musicality, emotional expression, coordination, and more.
These innovative techniques will generate new experiences, encourage the brain to adapt, the body to experiment with new ways of doing things, and ultimately foster lasting, comprehensive self-confidence.
When neuroscience combines with movement and the arts to improve everything.
- Refunds
- No refunds
- Exchanges
- Up to 7 days before the event starts
Dance as a Tool for Innovation
Dance as a Creative Approach: Discover how the brain and dance work together.
This workshop offers exercises to maximize brain capacity (memory, learning, visualization, adaptation, etc.). It provides techniques for breathing, musicality, emotional expression, coordination, and more.
These innovative techniques will generate new experiences, encourage the brain to adapt, the body to experiment with new ways of doing things, and ultimately foster lasting, comprehensive self-confidence.
When neuroscience combines with movement and the arts to improve everything.
- Refunds
- No refunds
- Exchanges
- Up to 7 days before the event starts
The Tribally Yours Festival takes place at two locations.
The workshops are held at Maison pour la danse de Québec, Studio C (2nd floor), 336 rue du Roi, Québec, QC G1K 2W5. Free street parking is available, as well as parking at city meters (Copilote app) and in designated parking areas. However, the festival encourages you to use the numerous bus routes or to carpool to facilitate your travel. Maison pour la danse provides a parking information document (in French, but easy to use): Maison pour la danse - Parking map
The Saturday evening gala takes place at Salle Montaigne (Cégep Limoilou Charlesbourg campus), 7600 3rd Avenue E, Québec, QC G1H 7L4. A large parking area is available at the entrance of the venue. Salle Montaigne is also easily accessible by public transport (routes 36, 39, 52, 59, 133, 136). From Maison pour la danse to Salle Montaigne, route 36 takes you directly in 20-25 minutes. By car, the journey takes approximately 15 minutes.
Accessible by car for free in the surrounding streets, with parking meters, paid parking zones or by public transport.
Marthyna
Martine Jetté, known by her artistic name Marthyna, discovered bellydance in 1997 and quickly made it a true language of expression. She has since become a prominent figure in the Canadian belly dance community, particularly recognized for her work in tribal, fusion, and Turkish styles. A pioneer of ISG Tribal style (Improvisational Synchronized Group), she approaches Middle Eastern dance and its fusions with passion, discipline, and creativity.
A multiple award recipient at competitions in Quebec and Ontario, Marthyna has also played an active role in the promotion and critical reflection of Middle Eastern dance. She has contributed as a columnist to specialized publications such as Papyrus, Gilded Serpent, and Hafla, and has been a speaker at the prestigious International Bellydance Conference of Canada (IBCC).
A respected educator, she founded her own dance school in Saint-Basile-le-Grand in August 2004, where she shares her artistic and human-centered approach to dance. She is also the creator of several instructional DVDs, reflecting her desire to share her knowledge beyond geographical boundaries.
Since 2012, Marthyna has been the Artistic Director of the troupe Les Shuvanies, guiding its artistic vision and development. She also created and produced the major event Tribalement vôtre for ten editions, an event now carried on by a collective of Quebec dancers. In addition, she holds a Creativity Coaching certification from the Canadian Coaching Alliance, an asset that continues to enrich both her artistic and pedagogical work.
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