

The Power of Point of View in Divisive Times
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For more info about this event, please contact the event organizer, Fondation Metropolis bleu, at frederick.gaudin-laurin@metropolisbleu.org.
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Many of us live in information silos, geo-targeted and saturated by the messaging from our algorithmic echo-chambers. Can authors reach a broader audience and bridge the ideological divide by utilizing an unexpected voice or the opinion of an unlikeable character? This ability to shape a narrative by controlling information is called the Power of POV (Point of View). Three Canadian authors discuss how they utilize story narration to approach difficult topics from new angles. Hollay Ghadery (The Unravelling of Ou) employs the conceit of a sock-puppet narrator to explore the delicate folds of a women’s biological and cultural responsibilities. Sky Gilbert’s (The Blue House) unreliable narrator, a snide and jealous musical virtuoso who believes himself dead, unravels the debate around art as an inherently human mystery versus an algorithmic formulation. Lindsay Wong (Villain Hitting for Vicious Little Nobodies) weaves the perspective of three women from the same family to create a horror fantasy world of dark burial rituals that challenge our ideas of cultural identity.
- Refunds
- Until the event starts
- Access for persons with mobility impairment
- Yes
Many of us live in information silos, geo-targeted and saturated by the messaging from our algorithmic echo-chambers. Can authors reach a broader audience and bridge the ideological divide by utilizing an unexpected voice or the opinion of an unlikeable character? This ability to shape a narrative by controlling information is called the Power of POV (Point of View). Three Canadian authors discuss how they utilize story narration to approach difficult topics from new angles. Hollay Ghadery (The Unravelling of Ou) employs the conceit of a sock-puppet narrator to explore the delicate folds of a women’s biological and cultural responsibilities. Sky Gilbert’s (The Blue House) unreliable narrator, a snide and jealous musical virtuoso who believes himself dead, unravels the debate around art as an inherently human mystery versus an algorithmic formulation. Lindsay Wong (Villain Hitting for Vicious Little Nobodies) weaves the perspective of three women from the same family to create a horror fantasy world of dark burial rituals that challenge our ideas of cultural identity.
- Refunds
- Until the event starts
- Access for persons with mobility impairment
- Yes
COMMENT SE RENDRE AU FESTIVAL
HOW TO GET TO THE FESTIVAL
Transport collectif Public transportation
Métro Saint-Laurent – Ligne verte/Green line
Métro Sherbrooke – Ligne orange/Orange line
Autobus 24 ou/or 55 bus lines
Le transport collectif est le meilleur moyen pour
se rendre au Festival et se déplacer d’un site à l’autre.
Public transportation is the best way to get to
the Festival and from site to site.
Stationnement Parking
• Payant à l’intérieur de l’Hôtel10 Payable inside Hotel 10
• Dans les rues avoisinantes On the surrounding streets
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