Jean-Michel Pilc

Born in 1960 in Paris, France, now also an American and Canadian citizen, self-taught pianist and composer Jean-Michel Pilc has performed with numerous jazz giants: Roy Haynes, Michael Brecker, Dave Liebman, Jean Toussaint, Rick Margitza, Michel Portal, Daniel Humair, Marcus Miller, Kenny Garrett, Lenny White, Chris Potter, John Abercrombie, Mingus Dynasty & Big Band, Lew Soloff, Richard Bona etc. He has also worked with Harry Belafonte, as his musical director and pianist, and has performed a duet with the legendary opera singer Jessye Norman.

Since he became a professional musician in the late 80’s, Jean-Michel has constantly been very active internationally, touring over 60 countries including all of Europe as well as Japan, Hong Kong, Taiwan, Abu Dhabi, South America, Mexico, USA and Canada. In addition to his own projects, he has been in high demand as a co-leader and sideman, participating in numerous projects over the world and recording a lot of albums. Among these projects and recordings: duos with Kenny Werner, Sam Newsome, Sylvain Luc and the legendary Martial Solal, trio with Thomas Bramerie & André Ceccarelli Twenty, guitarist Teriver Cheung Hong Kong Episodes, Greek bass player Petros Klampanis Contextual, NYC drummer Tony Moreno Short Stories, Moutin Reunion Quintet Deep, Brazilian guitarist Fabio Gouvea, Dutch bassist Jasper Somsen A New Episode In Life, Danish bassist Mads Vinding Open Minds, and many others.

Jean-Michel moved to New York City in 1995 and formed a new trio with François Moutin (bass) and Ari Hoenig (drums). They recorded a one-week engagement at the legendary jazz club Sweet Basil and, in 2000, released two CDs: Together – Live at Sweet Basil, NYC – Vol. 1 & 2 (A-Records). Pilc then signed a record deal with Dreyfus Jazz. His first album for Dreyfus, Welcome Home (featuring the same trio), was released in 2002. Jean-Michel’s next recording, Cardinal Points, was released the following year. It featured his extended work Trio Sonata, created with generous support from Chamber Music America New Works: Creation and Presentation Program, funded by the Doris Duke Charitable Foundation.

In 2004, Jean-Michel released his first solo album, Follow Me (Dreyfus). Then he returned to trio format to record Live at Iridium, NYC, in 2004, New Dreams in 2006, and True Story in 2009 (featuring Billy Hart). He also received his second New Works Grant from Chamber Music America for the writing and performance of Modern Lights, a composition reflecting Charlie Chaplin’s work. The project was premiered at the Caramoor Jazz Festival in August 2009.

Jean-Michel’s next two albums were both released in 2011 on the Motema label to critical acclaim : Essential, a live solo piano recording, and Threedom, featuring his legendary trio with François Moutin & Ari Hoenig, which had re-formed in 2010 under the collective name Pilc Moutin Hoenig. A documentary by John McCormick titled Jean-Michel Pilc – A Portrait (Living Jazz Archive) is released on the same year.

In 2013, Jean-Michel was granted the prestigious Fellowship from the John Simon Guggenheim Memorial Foundation, in the Music Composition category. The project was an octet, Big One, featuring all new original music.

In 2015, Jean-Michel released his third solo album, What Is This Thing Called?  (Sunnyside), followed, in 2018, by his fourth, Parallel(Challenge Records).

Jean-Michel has built a strong international reputation as a unique educator. Between 2006 and 2015, he was a NYU Steinhardt faculty member, giving private lessons (all instruments), ensemble classes and improvisation workshops. He was Co-Director of NYU Summer Jazz Improv Workshop in 2010. Jean-Michel also taught for the New School in NYC, as well as privately. At the same time, he released a book, It’s About Music – The Art and Heart of Improvisation (Carl Fischer) and an educational video for all instruments, True Jazz Improvisation (JazzHeaven), followed by another video for JazzHeaven, Transcending the Instrument, about piano playing and practicing. All have been praised by his colleagues, and highly influential in the field of jazz education. Jean-Michel keeps releasing pedagogical material on a regular basis, including 2 video masterclasses on Improvisational Fluency (MyMusicMasterclass), 2 online lessons in French and English, Anatomy of a Standard and The Art of Ballad (iMusic School), a series of improvisation tutorials on Patreon, the online lesson Total Improvisational Control (The Crescent), among others.

In September 2015, Jean-Michel joined the Jazz Faculty at The Schulich School of Music of McGill University in Montreal. Now a tenured Full Professor, he teaches jazz, piano, and improvisation (all instruments), as well as a Seminar on improvisation in all styles to a large group of McGill jazz and classical students. He has acted as Jazz Area Chair between 2016 and 2018.

Living in Montreal, Jean-Michel has become a very active constituent of the local jazz scene, participating in many Montreal-based projects as a leader, co-leader and sideman. In 2016, he created the Improvisation Workshop Project, funded by the Fonds de Recherche du Québec -Société et Culture (FRQSC). He has also been a special guest of the Montreal-based Orchestre National de Jazz and a sideman of many Montreal musicians, as illustrated by his recent discography and concert schedule. He is also present on the Toronto and Ottawa jazz scene, playing with Kirk MacDonald and Roddy Ellias, and continues to perform with NYC-based groups such as Pilc-Moutin-Hoenig and his US Trio with Sam Minaie and Jerad Lippi. 

Jean-Michel is now a Justin Time Recording Artist. He has released three albums on the label: Alive – Live at Dièse Onze, Montréal with Rémi-Jean-Leblanc & Jim Doxas, the solo CD Symphony, and the Pilc Moutin Hoenig album You Are the Song. A number of solo singles and EPs have also been released on the same label.

Jean-Michel is also a virtuoso whistler, as documented on several recordings including a solo piano & whistle track in the CD Christmas from the Blue Note (2010, Half Note).

Félix Stüssi

Be it on a bicycle or behind the keys, Félix Stüssi loves adventure and fresh air. Since his move from Switzerland to Canada, Stüssi has turned his back on journalism - jazz piano and composition are now his main focus. In 2007, his quintet won the prestigious Grand Prix of the Festival International de Jazz de Montréal. A year later, US-trombonist Ray Anderson joined the project and the band turned into a sextet. The four albums of the group were very well received on both sides of the Atlantic, they were nominated for several prizes (Juno Awards, ADISQ, Prix Opus). 

‍The quartet SuperNova 4 with Jean Derome (saxes, flute), Normand Guilbeault (bass) and Pierre Tanguay (drums) has released a self-titled album in 2020 (Effendi FND159), followed by UNICUM in 2024 (FND171). During the pandemic, the duo Jean Derome & Félix Stüssi have produced PAPPERLAPAPP (FND168), recorded and filmed in the pianist’s living room. In 2026, Félix Stüssi and Ray Anderson are planning on recording a first duo-album, stay tuned. Just recently, Stüssi has formed a new trio with two rising stars, Alex Le Blanc on bass and Jules Payette on drums.

‍Félix Stüssi returns regularly to Europe, where he has played among others with Bruno Spoerri, Nils Wogram, Jürg Wickihalder, Christoph Grab, Werner Fischer and Peter A. Schmid. Schmid and Stüssi have recorded a duo CD which has been released on Unit Records in January 2017 (Transatlantic Conversations, UTR 4738). In January 2017, the region Glarus Nord (Switzerland) has honoured Stüssi with a culture price. As in 2015 and 2022, Ray Anderson and Félix Stüssi will be touring in Europe in May/June 2026 as a duo, trio and special guests of big bands.

‍As a member of the Auguste Quartet and the Jazzlab Orchestra, Félix Stüssi has frequently toured in Canada, Europe and Asia. He was commissioned to compose and arrange an entirely new repertoire for the Jazzlab Orchestra, featured on the group’s album Quintessence (Effendi, FND 152).